Art Is Not Exceptional: Hannah Zoe

Art Is Not Exceptional was contributed by Christian Lawrence St. Denis in the month of March for our Northwest special feature. Dakota Gallery is located in Bellingham, WA. Having originally started as a DIY Gallery in the Pacific Northwest, Open House continues to be excited by the artwork coming out of the region. It is our intention to create dialogue between the ambitious emerging art scene in the Northwest and New York City. Stay tuned for future special features in April!

By Christian Lawrence St. Denis

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(Movement three) Hannah Zoe, glass, ash. Image courtesy of Dakota Gallery and the artist
Dakota Gallery, Bellingham: three white walls, a glass and black metal facade, a white pillar, black floors. The installation is called I Am Sorry Please Forgive Me. The artist is Hannah Zoe.

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Art Is Not Exceptional: Hannah Zoe

Taja Lindley// This Ain’t A Eulogy: A Ritual For Re-Membering

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This Ain’t A Eulogy: A Ritual For Re-Membering, Taja Lindley (Photo By Eric Lippe, Courtesy of the Artist)
A dark room, a cavern upholstered with black plastic garbage bags is home to a ten minute video created by artist Taja Lindley, at the 2017 SPRING/BREAK Art Show. “The Bag Lady” a goddess like figure dressed in a garbage bag dress, a mix of costume and homemade high fashion, ritualistically dances, shouts, and conjures up the trash bags and black balloons surrounding her. “DON’T SHOOT!”, rings out at the height of the performance. This Ain’t A Eulogy: A Ritual For Re-Membering, is Lindley’s reaction to the, “non-indictments of the police officers responsible for the deaths of Eric Garner and Michael Brown.” An emotionally driven and provoking piece, Lindley talks with Open House about her process of performing, the conversion of the work from performance into film, and the garbage bag as a symbol.
Taja Lindley// This Ain’t A Eulogy: A Ritual For Re-Membering

Painting Needs Complexity: A Conversation With Tirtzah Bassel

By Debbi Kenote and Til Will

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Tirtzah Bassel, ‘Bowling Green’, 2017, oil on canvas, 36 x 108 in. Image courtesy of Slag Gallery and the Artist

We were lucky to snag a few words with Brooklyn Based artist Tirtzah Bassel at Volta NY. She has four large works on display with Slag Gallery in booth C22, on view through Sunday. Last year, Bassel participated in the exhibition Homeland Security hosted by the For-Site Foundation

Listen to the full interview here:

 

TILL WILL: This is Open House, we are here at Volta New York, Pier 90. We’re here with Tirtzah Bassel and we are sitting in the booth looking at some big paintings. Do you want to tell us a little more about Tirtzah, Debbi?

DEBBI KENOTE: Yea. Tirtzah Bassel is an Israeli artist based in New York City. Her drawings, paintings and site-specific installations explore the relationships between power and space and the permeable borders between public and private domains. We are sitting here looking at the large paintings around us. There’s one to the right of us that has some pinks and blues, there’s a crowd that’s apparent, a lot of brush strokes, kind of pastely with some cobalt mixed in, and there’s some other works around us. Do you want to follow up on that [Til]?

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Painting Needs Complexity: A Conversation With Tirtzah Bassel

2017 RING-IN: 2016 Resolved!

by Til Will

The results are in; the people have spoken. Thanks to you, we’ve been injected with our dose of adrenaline to keep digging, to keep that pickaxe swinging. There’s gold out there. 

I am fascinated by the origins of ideas, especially half-finished or unfulfilled ideas. As part of our New Year’s Ring-In, we put out a call for submissions to our readers. We prompted folks to think of a photo that they took as a reference for an art idea in 2016. This could be a snapshot of an interesting texture that might look good in a painting, or a sketch, or just a snapshot of something that they thought would kickstart an idea. Maybe this is an idea that was abandoned completely.

With so many great submissions, we couldn’t narrow it down to 5 as we said we would. So here’s our top 6.

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Colleen RJC Bratton. She’s a fabric artist that lives in Seattle. She recently moved from Brooklyn. 

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2017 RING-IN: 2016 Resolved!

Angela Heisch: Tis the Season to be Lozenge

by Til Will

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Gouache on paper, Image courtesy of Angela Heisch 

According to Angela Heisch, only the person who begins a painting can decide how to finish it. I arrived to a room full of decisive paintings; iconic, hard-edge abstractions seeming to have rolled effortlessly out of the last. She knew what the next painting would be. She appeared to have reached absolute freedom from the anxieties of critique, depending solely on instinct.  

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Angela Heisch: Tis the Season to be Lozenge