Selva Aparicio: Death & Dandelions

by Julia Gray 

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Image courtesy of Space 776

Taxidermy, once limited to the realms of hunting and seedy antique stores, has made its way into common art practices. The ethical gray area of cutting open and displaying a dead animal is equally foggy when used for artistic or symbolic purposes, like in the eerily flashy work of Damien Hirst or more recently Anicka Yi’s hardware-lined taxidermy coyote. Contemporary artists using taxidermy as a critique of modern society can be easily construed as insensitive, and can just as easily reinforce the sensationalist culture they’re trying to condemn. New York City based emerging artist Selva Aparicio employed taxidermy with sensitivity and subtlety to honor dead animals and criticize our society’s disregard for them during her one-night pop-up show, curated by Ara Cho, at Space 776.

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Selva Aparicio: Death & Dandelions

Art Is Not Exceptional: Hannah Zoe

Art Is Not Exceptional was contributed by Christian Lawrence St. Denis in the month of March for our Northwest special feature. Dakota Gallery is located in Bellingham, WA. Having originally started as a DIY Gallery in the Pacific Northwest, Open House continues to be excited by the artwork coming out of the region. It is our intention to create dialogue between the ambitious emerging art scene in the Northwest and New York City. Stay tuned for future special features in April!

By Christian Lawrence St. Denis

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(Movement three) Hannah Zoe, glass, ash. Image courtesy of Dakota Gallery and the artist
Dakota Gallery, Bellingham: three white walls, a glass and black metal facade, a white pillar, black floors. The installation is called I Am Sorry Please Forgive Me. The artist is Hannah Zoe.

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Art Is Not Exceptional: Hannah Zoe