Led down an industrial alley in South Slope, BK, in the noisy shadow of the Gowanus Expressway, we found ourselves at the door to Nick Schutzenhofer‘s studio. Sickeningly sweet air wafted down the hall from the neighboring Shaheen candy distribution. We were surprised to discover the most immense painting practice we have seen in NY to date, and a distinctive surface quality developed using the ancient medium of egg tempera.
As the 2017 Armory Week art fairs in NYC come to an end, I reflect on the hundreds and hundreds of pieces of work on view. It was a lot to digest, booth after booth, gallery after gallery, work that was polished, new, old, fresh, tired, bright, flashy, sculptural, political, humorous. You name it and it was at one of the many fairs. Overall the displays were impressive. Here’s my run down of some unforgettable work.
“I see myself as a figure painter,” says Kate Liebman, as I sit in her studio, absorbing her large dynamic paintings in front of me. I see for the first time a repeating pair of eyes in an abstracted painting behind where she is sitting. As I spend more time sitting and talking with the artist, the large well-executed paintings seem to become something more unexpected. Liebman begins walking me through her process, her sources, and her perspective on her own history. Paint tubes and splatters cover the floor almost completely. Her studio is located in Bushwick, Brooklyn, and she has agreed to an interview with me, after having met me at Bushwick Open Studios this past fall. As our conversation progresses, topics of distance, viewer insight, and political responsibility are tackled, and I learn that this body of work has been sourced from a drawing she made of a photograph — taken during the Holocaust, showing prisoners lined up for a daily count in Buchenwald, Germany. In the time spent in her studio, she also shares with me her perspective on the current painting discourse, including artists she considers to be inspirational and her process of setting productive goals in the studio. In addition to maintaining a studio practice in Brooklyn, Liebman also writes for the Brooklyn Rail.
After spending some time in the studios of artists working in Bushwick, Open House turned to Gowanus this weekend to discover what’s bubbling up from the canal. Over 300 artists participated in Gowanus Open Studios 2016, and of them we picked 5 to tell us what’s what. Lace up folks, it time for 5-on-5.
HOW DO YOU APPROACH COLOR IN YOUR WORK?
IS THERE A PARTICULAR NARRATIVE AT PLAY IN YOUR CURRENT OR PAST PROJECTS?
WHO / WHAT MOTIVATES YOU TO MAKE YOUR WORK?
DO YOU HAVE A PERSON OR GROUP OF PEOPLE THAT YOU BOUNCE IDEAS OFF OF, OR DOES IT TEND TO BE MORE OF A SOLITARY APPROACH?