Art Is Not Exceptional: Hannah Zoe

Art Is Not Exceptional was contributed by Christian Lawrence St. Denis in the month of March for our Northwest special feature. Dakota Gallery is located in Bellingham, WA. Having originally started as a DIY Gallery in the Pacific Northwest, Open House continues to be excited by the artwork coming out of the region. It is our intention to create dialogue between the ambitious emerging art scene in the Northwest and New York City. Stay tuned for future special features in April!

By Christian Lawrence St. Denis

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(Movement three) Hannah Zoe, glass, ash. Image courtesy of Dakota Gallery and the artist
Dakota Gallery, Bellingham: three white walls, a glass and black metal facade, a white pillar, black floors. The installation is called I Am Sorry Please Forgive Me. The artist is Hannah Zoe.

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Art Is Not Exceptional: Hannah Zoe

What’s It Good For? How Artists Navigate Social Media

by Debbi Kenote

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Jake Reller, Arcade, 12″ x 20″, oil on panel

From Taos, to Bellingham, to Richmond to New York City, Open House corralled some of the most interesting contemporary emerging artists of 2017. They were kind enough to share with us some of their secrets to navigating the powerful social media path and their insights on how they use social media. Along the way they put some of our mounting suspicions to rest, discussing the make-or-break reaction to likes, and what kind of benefits they are really seeking–and getting–from Instagram, Twitter and Facebook.It is safe to say a few things are certain and that while not everyone needs the help of the internet to survive in the art world, it does seem that most believe it is a valuable tool. From researching artists to posting homemade cat gifs, these artists are not only creative with their posting, but also personal. In the age of social media, where all images, as Jake Reller says “are not fit for mass consumption,” perhaps it is this personal touch that keeps us interested in what these photos on small screens have to offer.

  1. WHAT MEDIUM DO YOU WORK IN AND WHERE DO YOU LIVE?
  2. ON AVERAGE, HOW OFTEN DO YOU POST IMAGE OF YOUR WORK OR PROCESS O SOCIAL MEDIA? DO YOU PREFER INSTAGRAM, TWITTER, OR FACEBOOK?
  3. WHAT DO YOU DO TO ACTIVELY ENGAGE OR INCLUDE YOUR FOLLOWERS, OR DO YOUR POSTS FUNCTION MORE AS GLIMPSES INTO YOUR ART PRACTICE?
  4. DO YOU USE SOCIAL MEDIA FOR RESEARCH PURPOSES, OR TO MEET/ LEARN ABOUT OTHER ARTISTS? ARE THERE PEOPLE IN YOUR LIFE YOU WOULDN’T HAVE MET WITHOUT SOCIAL MEDIA? HAS SOCIAL MEDIA EVER LED TO A SALE OR OTHER OPPORTUNITY?
  5. DO RECEIVED ‘LIKES’ AFFECT HOW YOU FEEL ABOUT THE CONTENT YOU POST?HOW DO YOU THINK THE ONLINE RESPONSE AFFECTS YOUR WORK?
  6. CAN ARTISTS COUNT ON PEOPLE SEEING THEIR WORK WITHOUT USING SOCIAL MEDIA? DO YOU KNOW AN ARTIST WHO DOESN’T USE SOCIAL MEDIA? 

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What’s It Good For? How Artists Navigate Social Media

2017 RING-IN: 2016 Resolved!

by Til Will

The results are in; the people have spoken. Thanks to you, we’ve been injected with our dose of adrenaline to keep digging, to keep that pickaxe swinging. There’s gold out there. 

I am fascinated by the origins of ideas, especially half-finished or unfulfilled ideas. As part of our New Year’s Ring-In, we put out a call for submissions to our readers. We prompted folks to think of a photo that they took as a reference for an art idea in 2016. This could be a snapshot of an interesting texture that might look good in a painting, or a sketch, or just a snapshot of something that they thought would kickstart an idea. Maybe this is an idea that was abandoned completely.

With so many great submissions, we couldn’t narrow it down to 5 as we said we would. So here’s our top 6.

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Colleen RJC Bratton. She’s a fabric artist that lives in Seattle. She recently moved from Brooklyn. 

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2017 RING-IN: 2016 Resolved!