Going Political: Highlights of SPRING/BREAK Art Show 2017

By Alyssa McClenaghan

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                        Future Past News, Andrea Wolf & Karolina Ziulkoski. Photo Courtesy of the Artists.

It’s Armory Week in New York City. With many art fairs to see, Open House has been making the rounds. Here I focus on SPRING/BREAK Art Show 2017, taking on the task of viewing the spaces of over 150 Curators and 350 artists. Taking place in the former Condé Nast Building in Times Square, politically charged work made a big dent in the fair this year. While there was plenty of the experimental, playful atmosphere that SPRING/BREAK has come to be known for, it was clear that there has been a shift from previous years. The current political climate brought an influx of profound, contemporary work to this year’s event, themed “Black Mirror“. With so much to take in, and an incredible line up of work this year, it was hard to pick just a few to talk about. Below is a peek into three wonderful curations from this year’s event. 

 

Continue reading “Going Political: Highlights of SPRING/BREAK Art Show 2017”

Going Political: Highlights of SPRING/BREAK Art Show 2017

Painting Needs Complexity: A Conversation With Tirtzah Bassel

By Debbi Kenote and Til Will

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Tirtzah Bassel, ‘Bowling Green’, 2017, oil on canvas, 36 x 108 in. Image courtesy of Slag Gallery and the Artist

We were lucky to snag a few words with Brooklyn Based artist Tirtzah Bassel at Volta NY. She has four large works on display with Slag Gallery in booth C22, on view through Sunday. Last year, Bassel participated in the exhibition Homeland Security hosted by the For-Site Foundation

Listen to the full interview here:

 

TILL WILL: This is Open House, we are here at Volta New York, Pier 90. We’re here with Tirtzah Bassel and we are sitting in the booth looking at some big paintings. Do you want to tell us a little more about Tirtzah, Debbi?

DEBBI KENOTE: Yea. Tirtzah Bassel is an Israeli artist based in New York City. Her drawings, paintings and site-specific installations explore the relationships between power and space and the permeable borders between public and private domains. We are sitting here looking at the large paintings around us. There’s one to the right of us that has some pinks and blues, there’s a crowd that’s apparent, a lot of brush strokes, kind of pastely with some cobalt mixed in, and there’s some other works around us. Do you want to follow up on that [Til]?

Continue reading “Painting Needs Complexity: A Conversation With Tirtzah Bassel”

Painting Needs Complexity: A Conversation With Tirtzah Bassel