Colleen RJC Bratton: The Public Rainbow

By Debbi Kenote and Til Will

The Trick About Getting Comfortable
Colleen RJC Bratton, The Trick About Getting Comfortable, 2016, Found fabric, acrylic on panel, 24 x 10 x .5 inches

A warm rainbow of colors–red, yellow, orange, beige, white–vibrate around Til Will and I as we sit in the studio of Colleen RJC Bratton in Seattle, Washington. Sculptural paintings hang on the walls, composed of paint, wood, fabric, thread. Important details of the space inform us that Bratton’s studio is an installation in itself. In addition to the works hanging on the walls, ceiling tiles are replaced with colorful swatches, a large storage cabinet echoes the warm color palette, and little notes and swatches of colored fabric balance in curious places around the room. The backs of a few of the works are brightly painted, allowing a glow to extend onto the wall behind them, further blending the structures themselves into the studio space.  Continue reading “Colleen RJC Bratton: The Public Rainbow”

Colleen RJC Bratton: The Public Rainbow

Small Moments Revered: The Small Exceeds

by Julia Gray

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“A screen, a bench, a table, a mirror, a vessel, a key, a flower,” artist and curator Michael Childress writes in his intriguingly abstract press release for “The Small Exceeds,” a thoughtfully sparse exhibit that took place at the appropriately minimal Chinatown hole-in-the-wall, New Release Gallery. These ambiguous motifs are traced throughout the show, compelling expanded consideration. Childress’ immersive installation rejects spectacle, thereby inviting a more careful observation, a refreshing break from a typical in-and-out exhibit. The title, “The Small Exceeds,” is drawn from Hexagram 62 of the I Ching, which commends a “preponderance of the small” and a consideration for detail in the pursuit of mindfulness. Childress along with the eight other artists in the exhibition present work that encourages shared meditation.

Continue reading “Small Moments Revered: The Small Exceeds”

Small Moments Revered: The Small Exceeds

Kcirred Reswob: The Immortal Wile E.

By Debbi Kenote

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Kcirred Reswob, Untitled Sketchbook Page

Images that seem to be evoking specific narratives cover the walls of Kcirred Reswob’s studio as I sit across from him discussing his work. Road Runner, Wile E. Coyote, a cow behind a fence, Seaworld, a littered landscape, among others. On the table, next to one of his cats, is a stack of sketchbooks. As Reswob describes growing up on a farm in Pennsylvania listening to Limbaugh, Dr. Laura, and the other conservative classics, I begin to understand the genesis for much of the narrative I am seeing.

Through his explorations of the coyote, borders, humans, animals and their environments, discrete or cartoonish narratives appear that seem to also reflect a deeper socio-political sensibility. The result is a world that can at times seem both comically mundane and deeply prophetic. The common image of a barbed wire fence begins to seem like something I’ve never really looked at before. As Reswob and I discuss the coyote and his research into the attempted removal of it from parts of the midwestern United States, I begin to wonder why I, like countless other children, took pleasure in watching the many creative deaths of the immortal Wile E.  A simple act of looking, or re-looking at what we already know is there, transports Reswob’s narratives into symbols of humanity, that are both fascinating and disturbing.  Continue reading “Kcirred Reswob: The Immortal Wile E.”

Kcirred Reswob: The Immortal Wile E.

Selva Aparicio: Death & Dandelions

by Julia Gray 

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Image courtesy of Space 776

Taxidermy, once limited to the realms of hunting and seedy antique stores, has made its way into common art practices. The ethical gray area of cutting open and displaying a dead animal is equally foggy when used for artistic or symbolic purposes, like in the eerily flashy work of Damien Hirst or more recently Anicka Yi’s hardware-lined taxidermy coyote. Contemporary artists using taxidermy as a critique of modern society can be easily construed as insensitive, and can just as easily reinforce the sensationalist culture they’re trying to condemn. New York City based emerging artist Selva Aparicio employed taxidermy with sensitivity and subtlety to honor dead animals and criticize our society’s disregard for them during her one-night pop-up show, curated by Ara Cho, at Space 776.

Continue reading “Selva Aparicio: Death & Dandelions”

Selva Aparicio: Death & Dandelions

Nick Schutzenhofer: Egg Contempera

By Debbi Kenote and Til Will

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Nick Schutzenhofer, Untitled (rose geranium 3), 24×20,” rabbit skin glue, pigment, egg tempera and oil on paper on linen over panel, 2017

Full audio interview: 

Led down an industrial alley in South Slope, BK, in the noisy shadow of the Gowanus Expressway, we found ourselves at the door to Nick Schutzenhofer‘s studio. Sickeningly sweet air wafted down the hall from the neighboring Shaheen candy distribution. We were surprised to discover the most immense painting practice we have seen in NY to date, and a distinctive surface quality developed using the ancient medium of egg tempera.  

Continue reading “Nick Schutzenhofer: Egg Contempera”

Nick Schutzenhofer: Egg Contempera

Shavana Smiley: Venus of the Milky Way

By Debbi Kenote and Til Will

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‘Maybe’, 12″ x 10″, Oil on Canvas

full audio interview:

Last month we interviewed Shavana Smiley and Ara Cho in their shared apartment/ studio. This is part II of that studio visit, where we now turn our focus to the other half of the dynamic duo. Continue reading “Shavana Smiley: Venus of the Milky Way”

Shavana Smiley: Venus of the Milky Way